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-Hip-Hop artist Shady Brady recently tracked three songs at the studio. -Sarah Pirtle tracked two songs for her upcoming CD release, Everyday Bravery. -Mike Joseph tracked a four-song acoustic demo. -John Hanifin recorded an audition CD at the studio. -Tracked and mixed four-song EP for Evolve: Life in the Group. -Mixed and mastered Seth Glier's debut CD, Space. -Duplication order finished for Sarah Pirtle. -Singer/songwriter Seth Glier was at Rainbow Sounds to cut basic tracks for his upcoming cd release with Dan Scott on drums and John Miller on bass and B3 organ. Scott Sibley is engineering and co-producing. -Cellist John Hanifin laid down cello for Seth Glier’s debut cd project. -Joe Roderick was at Rainbow Sounds to cut sax for the Seth Glier project. -Drums!Rainbow Sounds recently acquired a great sounding 5-piece maple custom drum set. The set was handmade by the local guys at Springfield Drum Co in Springfield , MA . The first few comments about the sound of the set were “Holy sh*t!” and “Wow!” ‘Nuff said. -We’re excited here at the studio about our new RØDE K-2 tube mic. The mic sounds very warm and musical on everything we’ve tried it on. Piano, sax, vocals all sounded killer! -Continuing the shopping spree, we’ve added some great sounding eq plug-ins from URS for our Nuendo 2.12 DAW. URS are makers of classic eq emulations of Neve, API, Pultec, and SSL equalizers to name a few. We have ‘em here at Rainbow Sounds and they sound great! -The Mastering Lab has also seen recent upgrades. To complement our existing analog and digital processing, we’ve added two great mastering quality plug-ins from Universal Audio for the UAD-1. The first is the Precision EQ. This is the best digital mastering eq that we here at TheMastering Lab have ever heard. It has a sound that is hard to describe since it’s so transparent. Let’s just say it has a very sweet and open top end and you can really tweak a mix without sounding like you’re doing anything at all. Sweeeet!!!! The second mastering plug-in in the Precision series is the Precision Limiter. It, like the Precision EQ, is very transparent. It really allows great mastering limiting with look-a-head precision…no pun intended. It’s great for bringing out the details of a mix without totally killing the dynamics.
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